ANOTHER VOICE

windytrees

WILD AND HOWLING winds swirling around the College of the Resurrection in Mirfield made for a reflective, elemental sort of a night. I’m a bit ambivalent about strong wind generally, on the one hand slightly fearful of its power and a tad resentful about its uninvited imposition, and on the other sometimes willing simply to “let go, let fly” – and the encounter with raw nature brings a fleeting sense of oneness with the swirling. With life.

Morning prayer in a gloriously quiet monastic environment lends the soul an opportunity to hear “another voice” – and oh what blessings are to be heard in the silent voices within – whether Divine or divine. Whether Love or loved ones. Connecting. Connected. Silently. Here in this moment. And in eternity.

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak

Mary Oliver

Just pay attention Simon Robert. Only pay attention. The word of the angels is near. Breathe is the word. Breathe

SHELTER

THE MUSIC here is exquisite – but what fascinates and delights me, just as much, is the quiet stillness and attentiveness of the little assembly that – my imagination suggests – recognises the incomparable value of such sound and such moments for healing and grace. One of the most valuable books I’ve read in the last five years is Lucy Winkett’s Our Sound is Our Wound. Recommended. But silence, stillness or just hitting the replay button on this little video are recommended too. Thanks to the archangel who pointed me to it :)

BIG SKY

I LOVED THIS big sky image as soon as I’d captured it. Gazing at the sky does wonders for stilling heart and mind and soul and body, and for leading a person into quiet contemplation. Still currently confined to barracks I’ve done plenty of just that today.

Odd not to have been presiding at the weddings I’ve prepared some happy couples for, but I’ve been with them in spirit and – in a most unusual way where vicars and weddings are concerned – there’s really been time, with the couples on my heart and mind, to pray on the Big Day. Yes: gazing at the sky does wonders, whether on the Penrith road (above) or at Bramhall Vicarage.

TODAY …

click on individual images to enlarge | slides here

I FIRST SPENT a lot of time in company with Josefina de Vasconcellos‘ Jesus 35 years ago as I was in the early stages of preparing for the priesthood. He gazes out across green fields towards Lakeland Fells and Ullswater, one of the most beautiful lakes in England’s glorious Lake District. He’s still the Jesus I know best, the one who gazes with compassion upon a Creation He’s willing to give absolutely everything to, a giving, a compassion and a perpetual gazing that encompasses every child, woman and man upon earth. This Jesus doesn’t belong to Christians. This Jesus belongs to everyone and everyone belongs to Him. This Jesus is an image of the God who is high above, beyond and deep, within and beneath every single one of the world’s religious traditions. This Jesus says to all humankind “Today you will be with me in Paradise”. This Jesus inspired Teresa of Avila’s

Christ has no body now on earth but ours;
no feet with which to run to proclaim good news;
no hands with which to reach out
to touch, to heal and to bless;
no ears with which to hear the cries of the poor;
no eyes with which to look out with compassion
upon this world, but ours.

Bodies, hands, feet, eyes and ears – to carry the watchful souls that are to stay close to their Source and eventually be at One. Compassion. The work of the anointed – of every shade and hue, of every nationality and tradition. The work of Christ now.

HOLY, HOLY, HOLY

FR RICHARD ROHR is one of the great inspirations of my life and I’m grateful to my friend Ivon Prefontaine for reminding me recently of Richard’s Daily Meditations.

In a series of Meditations on his “lineage”, whilst planning the opening of a new Living School for Action and Contemplation Fr Richard’s meditation on Sunday read

Orthopraxy in much of Buddhism and Hinduism

Orthopraxy is usually distinguished from orthodoxy. Orthodoxy refers to doctrinal correctness, whereas orthopraxy refers to right practice. What we see in many of the Eastern religions is not an emphasis upon verbal orthodoxy, but instead upon practices and lifestyles that, if you do them (not think about them, but do them), end up changing your consciousness.

This was summed up in the Eighth Core Principle of the Center for Action and Contemplation: We don’t think ourselves into a new way of living; we live ourselves into a new way of thinking. I hope that can be a central building block of the Living School.

And – joyfully – today I’ve been chestily croaking ALLELUIA! upon reading today’s thoughts about the witness of art

Unique witness of mythology, poetry, and art

My earliest recordings often included mythological stories, poetry, or art to make the point. Many people are more right-brained learners than left-brained. When you bring in a story, or a poem, or refer to a piece of art, you can see people’s interest triple: “Wow, I’m with you!” Whereas, if you stay on the verbal level all the time, their eyes glaze over, they lose interest, they lose fascination and identification with the message.

I don’t think Western preachers and teachers have really understood the importance of art in general. Until people can “catch” the message with an inner image, it usually does not go deep. We’ve also been afraid of myths that weren’t Christian. In fact, we were afraid of the very word “myth.” We thought it meant something that wasn’t true when, in fact, it’s something that’s always true—if it’s a true myth. This will be a very important substratum of the Living School curriculum.

One of the things I most love and admire about Richard Rohr is his generosity of heart, mind, soul and body. He’s open to seeing the Divine all around us, open to contemplation and to receiving the Wisdom from traditions other – though as he shows us, not always so very “other” – from his own. I love that Fr Richard balances the importance of both orthodoxy and orthopraxy; that he both thinks deeply and feels profoundly. That, it seems to me, is what the call of Jesus Christ – and of other great spiritual masters and teachers – is really all about. As Richard has it, “living ourselves into a new way of thinking”. That’s something all of us can do, all of the time, with or without particular religious frameworks – though many, in the living, will thrive in the kind of religious environment that seeks – as the word religion intends (from Latin religare - ”to reconnect, to bind together”) – to bind up the whole.

My friend Mimi is a generous contemplative - Between Night And Day; as is the marvellous Rebecca Koo - Heads or Tails; and Bill Wooten’s - The Present Moment brings a wonderful word from Thomas Merton – and a stunning photo; Francesca Zelnick is as special as her Today’s Special; David Herbert is one of my diocesan friends and I love his latest post (and we share affection for Parker Palmer); and Rachael Elizabeth’s been having a good time doing Christology and incense-sampling ( ! ) in Durham; James Fielden – always showing us “The Way Home” – meditates exquisitely upon Time; Ginny at “Chasing the Perfect Moment” writes about Re-creation; Ria Gandhi has been wondering about who and what’s Beautiful and has flagged up one answer here; Jenni has been Watching the Symphony here.

What are we looking at in all these human “works of art”. What do I see as I reflect upon the colours, upon the wide spectrum that arches over the whole of my life?

Sanctus, Sanctus, Sanctus

Holy, Holy, Holy

Multi-coloured and blessed sanctity – God’s art: whether we’re always aware of it – or not …

BREATHE TOGETHER

please click photo for further information

SADLY I KNOW I CAN’T be in Albuquerque, New Mexico, this summer, but I’m seriously hoping I might make it to the “the much anticipated Rohr Institute Living School for Action and Contemplation” in Autumn 2013. I’m profoundly inspired by Franciscan priest Fr Richard Rohr’s teaching on the Perennial Tradition, “which challenges us to look beyond systems, sects, gender and dogma, into a place of universal truth that invites us all to re-awaken to our union with God.  It is from that awareness that we can serve as co-creators of the world, breathing together so “That all may be one.” (John 17:20)”

I was thrilled with Fr Richard’s Meditation for today – an excerpt of which is

If we want to go to the mature, mystical, and non-dual levels of spirituality, we must first deal with the often faulty, inadequate, and even toxic images of God that most people are dealing with before they have authentic God experience. Both God as Trinity and Jesus as the “image of the invisible God” reveal a God quite different—and much better—than the Santa Claus image or the “I will torture you if you do not love me” God that most people are still praying to. Such images are an unworkable basis for any real spirituality.

Trinity reveals that God is the Divine Flow under, around, and through all things—much more a verb than a noun; relationship itself rather than an old man sitting on a throne. Jesus tells us that God is like a loving parent, who runs toward us, clasps, and kisses us while we are “still a long ways off” (Luke 15:20). Until this is personally experienced, most of Christianity does not work. This theme moves us quickly into practice-based religion (orthopraxy) over mere words and ideas (orthodoxy).

ASCENDING ALLELUIAS

I OFTEN SPEAK about life’s being, for me, a colour-full affair. I’ve read on several occasions that some blind people can “see” in their dreams. This doesn’t surprise me.

Anger, anxiety,
adoration and awe,
celebration, communion,
confession, consolation,
consternation, contemplation,
dying, fear, joy,
lamentation, loneliness,
longing, love,
Magnificat, meditation, mediation,
passion, poetry, prayer and prose,
sadness, sleepiness, silence, song

- any and all forms of worship – often translate for me into vivid and fluid colour. The movement is gentle and healing. And thankfully, for a minimalist like me, the colour sometimes involves shades of plain and lovely uncluttered white. Neither the movement nor the colours are loud or aggressive or overwhelming. But they are bright. And each represents someone, some emotion, or some thing. A bit of time spent with “Alleluia” above may reveal some faces and one or two particular spaces …

In common with many artists, pray-ers and writers I think of our ultimate Heaven as fullness of life expressed in colours hitherto beyond our wildest seeing and dreams, but utterly reminiscent, too, of experiences we’ve known throughout our incarnate lives, here, in “this world”. Our hymn book contains a (much too long) version of the Ascensiontide “Hail the day that sees him rise”. Printed service orders (our Sunday usage) allow for discreet pruning. Not so when we use the hymn book, as we did on Thursday. So lots and lots of alleluias! For me though the words sometimes become the means of transport to a different level of seeing and / or hearing.

This “Alleluia” developed whilst humming “Hail the day” on and off over a period of about 48 hours. Sometimes these paintings start out with canvas or paper, paint and brush, and are photographed and digitally developed later. For this one the “medium” has been entirely my miracle iPad with BoxWave stylus. Have a great Sunday-after-Ascension. And may your Alleluias be colour-full and joyful.

MARY’S DRESS

BANK HOLIDAY weekend affords a happy extension to “left brain time.” There are always more books I want to read, more paintings I want to paint, more photographs I want to make, more writing to be done, more poems to unfold, more prayer to be celebrated, more people to share some time and stories with, more songs to be sung, more colours to be marvelled at, more silence to be revelled in – than time ordinarily allows. And that very fact is cause for thanksgiving! Life is indeed a rich tapestry. The signs of the reign, the joy of God, are all around me. And I’m immensely thankful for the connections that blogging makes possible with people all around the world.

Today’s artwork is inspired, in Eastertide, by Mary Magdalene, beloved apostle of Jesus, first witness to new life in the Resurrection, loyal provider of intimate and loving support and sustenance, someone generous, open-hearted and giving, someone who just “knew” instinctively, what Jesus’ mission on earth was about, someone released, by God’s goodness, from the kind of prison every one of us finds ourselves in from time to time.

All human persons are “bedevilled” by “Legion” the perpetually underlying and taunting belief that somehow we’re failing to make the grade, we’re unlovable, bigger and better “failures” than anyone else, destined to be “alone”, faithless, heartbroken, misunderstood, wretched. All human persons yearn for the kind of release that Jesus’ love and acceptance brought about in Mary’s life; for the kind of release that she brought about in his.

Mary Magdalene: someone cruelly maligned and abused by religious patriarchy and misogyny across the centuries, but all the while someone I’ve admired and looked to as an icon of life’s richness and fullness, of life’s goodness and generosity, of life’s being – under the vivifying reign of God – a beautifully, colourfully, gorgeously dressed dance with our Creator.

Sydney Carter described Jesus as The Lord of the Dance. In my heart I think of Mary of Magdala as Jesus’ dance-partner and she is clothed, dressed, like the environment all around and about her, in colour and glory. And theirs is a partnership, theirs is a dance that, far from being exclusive and excluding, invites you and I to join. “Shall we dance?”, Mary asks. “And shall we sing?”, asks the Lord of the Dance. And sometimes the colours blur a little in the swirling. And sometimes they’re blended by our tears …

Have you seen the wonder of it? Have you seen Mary’s dress?

GLANCING …

please click image to enlarge

THERE’S AN ENCOUNTER with Heaven in William P Young’s The Shack  that has left an indelible mark on me. It’s a vivid, vital vision of colour-expressed emotions

a wash of ruby and vermillion, magenta and violet, as the light and color whirled around and embraced him …

Countless connections. Whirling. Swirling. Shimmering. Glowing. Loving. Forgiving. Embracing. Changing. And – ever since I read the book – gifts of daily such “visions” have delighted me.

The artist Wendy Rudd recently encouraged me, and a group of friends, to let go of “right brain” connection sometimes and let “left brain” make itself heard. I’ve blessed her many times for that encouragement. I let go of mental overload, on a fairly regular basis, by listening / looking instead to “left brain”, allowing wordiness to become colour and image. And colours – perpetually glancing, gently bumping and bouncing into and through one another, make connections and communion …