MARY’S DRESS

BANK HOLIDAY weekend affords a happy extension to “left brain time.” There are always more books I want to read, more paintings I want to paint, more photographs I want to make, more writing to be done, more poems to unfold, more prayer to be celebrated, more people to share some time and stories with, more songs to be sung, more colours to be marvelled at, more silence to be revelled in – than time ordinarily allows. And that very fact is cause for thanksgiving! Life is indeed a rich tapestry. The signs of the reign, the joy of God, are all around me. And I’m immensely thankful for the connections that blogging makes possible with people all around the world.

Today’s artwork is inspired, in Eastertide, by Mary Magdalene, beloved apostle of Jesus, first witness to new life in the Resurrection, loyal provider of intimate and loving support and sustenance, someone generous, open-hearted and giving, someone who just “knew” instinctively, what Jesus’ mission on earth was about, someone released, by God’s goodness, from the kind of prison every one of us finds ourselves in from time to time.

All human persons are “bedevilled” by “Legion” the perpetually underlying and taunting belief that somehow we’re failing to make the grade, we’re unlovable, bigger and better “failures” than anyone else, destined to be “alone”, faithless, heartbroken, misunderstood, wretched. All human persons yearn for the kind of release that Jesus’ love and acceptance brought about in Mary’s life; for the kind of release that she brought about in his.

Mary Magdalene: someone cruelly maligned and abused by religious patriarchy and misogyny across the centuries, but all the while someone I’ve admired and looked to as an icon of life’s richness and fullness, of life’s goodness and generosity, of life’s being – under the vivifying reign of God – a beautifully, colourfully, gorgeously dressed dance with our Creator.

Sydney Carter described Jesus as The Lord of the Dance. In my heart I think of Mary of Magdala as Jesus’ dance-partner and she is clothed, dressed, like the environment all around and about her, in colour and glory. And theirs is a partnership, theirs is a dance that, far from being exclusive and excluding, invites you and I to join. “Shall we dance?”, Mary asks. “And shall we sing?”, asks the Lord of the Dance. And sometimes the colours blur a little in the swirling. And sometimes they’re blended by our tears …

Have you seen the wonder of it? Have you seen Mary’s dress?

A TENDER RECOGNITION

Mary stayed outside near the tomb, weeping. Then, still weeping, she stooped to look inside, and saw two angels in white sitting where the body of Jesus had been, one at the head, the other at the feet. They said, ‘Woman, why are you weeping?’ ‘They have taken my Lord away’ she replied ‘and I don’t know where they have put him.’ As she said this she turned round and saw Jesus standing there, though she did not recognise him. Jesus said, ‘Woman, why are you weeping? Who are you looking for?’ Supposing him to be the gardener, she said, ‘Sir, if you have taken him away, tell me where you have put him, and I will go and remove him.’ Jesus said, ‘Mary!’ She knew him then and said to him in Hebrew, ‘Rabbuni!’ – which means Master. Jesus said to her, ‘Do not cling to me, because I have not yet ascended to the Father. But go and find the brothers, and tell them: I am ascending to my Father and your Father, to my God and your God.’ So Mary of Magdala went and told the disciples that she had seen the Lord and that he had said these things to her. John 20.11-18

THE MARY MAGDALENE of my own imagination doesn’t look at all like some of those depressing religious pictures. Not a haloed saint, not miserably gazing upon a skull set down in the middle of her dressing table, not wanton, bare-breasted, or mournfully reflecting upon her dreadfulness and that of others “of her kind”. No, my Mary Magdalene, first apostle, is an ordinarily beautiful, fully alive, self-aware, tactile, tender, practical, imaginative and lovely young woman. Human and humane. Someone possessed of an extraordinary ability to empathise, a bit of a loner perhaps, someone who “gets it” when Jesus speaks, someone who, just because she’s lovely – inside and out – is great to be around. And Jesus loves her.

I don’t know who made the gorgeous image above – (I’d love to know – and would gladly credit it) – but here’s the girl in my heart, using her own imagination to tell Jesus that she understands more than perhaps even he thinks she does; that she loves him; that loving him heals her and makes her whole; that her love might bring something of healing to him.

Here’s the Mary I imagine went on from this Prologue – this genesis, this in-the-flesh close-breathing, this out-of-the-ordinary, tearful, beyond-the-Law touching of the Word-before-time, this “costly” anointing, this first moment of tender intimacy, and wholly mutual acceptance – to have a thousand little conversations with Jesus, long before the ultimate events of what we’ve come to call Holy Week (“it’s no wonder they call you the Master, love. None of us have ever met or dreamed about someone quite like you”). A thousand little conversations about what was to be in the future, their future, everybody’s future (the future of R S Thomas’ “mirrors in which the blind look at themselves and Love looks at them back”) – after the “return” to “my father and your father”, to Where we came from.

Mary, imagine …, Mary, turn around …, Mary, can you feel it? …, Mary, the colours …, Mary, the joy of it …

Yes, I can imagine. I want to imagine. We all do. But if you died first, Jesus, God knows what I’ll do. You must be careful. We need you. Don’t strain so. O God. I know you’ll have to go. And I shall want you to, of course. Yes, we’ve talked about it often enough. But will you really come back to me? From the inside out? Jesus, I believe. Help me when my heart breaks. Help me in my unbelief …

Mary, Mary, Mary. I will. I will. I truly believe we’ll find each other on the inside …

If fully human Jesus was Everyman then Mary of Magdala is Everywoman. To prostitute her memory is wicked calumny – (how many unseeing men, half-dead, dull-in-heart-and-mind-and-head, have done that through the centuries?) – calumny of a kind that has led, and still leads, to immeasurable sickness of head and heart and soul and mind and body. Masculine and feminine, each needs the other. ( Both traits found in both women and in men, heterosexual or homosexual – it’s an “other” that’s the key requirement here). Thank God that the crisis wrought by precisely that sickness, and agonisingly recognised as the “hole in the heart” not just of the Church but of humankind generally today, can hardly help now but to point humankind everywhere on earth towards the light of a “more excellent”, a wholly more natural, and healthier, God-given way.

Human relationships, as much as for any of the ways we relate to the Divine, are not to be patronising, patriarchal, law-bound, or shame-laden. Human relationships will thrive, and the reign of God come to be felt among us, when they instinctively include, and resist exclusion. Love is not to be imprisoned or entombed. And, post-crisis, then and now, a wider-reaching Love is here to stay. Though patience is still required, though sin and death appear yet, in places, still to prevail, a new way of loving is here to stay. A new Way, a new Truth, a new Life.

Mr Vernon Dursley to Harry Potter about a certain (Wise old? Dove-like?) owl:

‘If you can’t control that owl, it’ll have to go!’
Harry tried, yet again, to explain.
‘She’s bored,’ he said. ‘She’s used to flying around outside. If I could just let her out at night …’
‘Do I look stupid?’ snarled Uncle Vernon, a bit of fried egg dangling from his bushy moustache. ‘I know what’ll happen if that owl’s let out.’
He exchanged dark looks with his wife, Petunia.

Harry Potter and the Chamber of Secrets, J K Rowling

On Resurrection Day, “when it dawns on us”, in Mary and in Jesus, Wisdom is encountered entre deux. Wisdom’s used to flying around outside, she’s done so since the genesis of things, and before that, too; she carries messages home – for the inside, the God-side. Yes, there’s real intimacy here, a communicating communion sort of a business. But an early lesson in wisdom for all humankind is “do not cling”. Let him, let her, fly. Let the Spirit blow where She listeth. Something’s dawning. Look at the sky.

Ascension – returning – to the fullness of God lies yet ahead, though this very Resurrection morning it is an energising Hope. A hope that will ultimately change the course of the history of worlds. For there will be a returning, a tender returning, a deeply intimate, glorious, colourful, joyful, prayerful, fulsome returning for Everyone to the One who is both “my father and your father”. Don’t cling today beautiful Mary. But, believe me, lovely, knowing, wise and giving Mary, the day will dawn when we may cling, and we may laugh, and we may talk and pray and sing “We’re an Easter people! All of us! And alleluia is our song”.

And on that day I believe Jesus will be heard greeting his Mary of Madgdala as Rabbuni. Teacher. Master … She’s beautiful. Just like this painting. An ordinary, beautiful girl. Just sometimes a little bit wild. And she gets it, perhaps she is, Wisdom.

Jan Richardson and her husband Garrison Coles have made the
exquisitely beautiful The Hours of Mary Magdalene. Enjoy it here

 

NOLI ME TANGERE

NOLI ME TANGERE - Alonso Cano, circa 1610, Granada, Spain

NOLI ME TANGERE. Jesus said to her, “Do not hold me, for I have not yet ascended to my Father, to my God and your God.” Mary Magdalene went and said to the disciples, “I have seen the Lord”; and she told them that he had said these things to her.

Noli me tangere. Do not cling. Do not hold me, for I have not yet ascended to my Father …

Of all the converse of the world this must surely be dearest, tenderest and best. Note how the Beloved leaves the door open for his Beloved in the future. Do not cling now, because … but I will ascend. And I will ascend to the Father who is both yours and mine, “my God, and your God” – so you will ascend, too. And there we will embrace, and there we may cling, and there, in gloriously glad company, we may sing the Song of Songs: (2.12)

the season of singing has come, the cooing of doves is heard in our land.